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Julie Davis's avatar

Scarlet O'Hara in Gone with the Wind. She actually remains stubbornly consistent throughout but the contrast with her shows character development in others - especially Rhett Butler. Plus the look at a culture who lost is fascinating.

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Melissa Joulwan's avatar

I usually need at least one character I can root for – but I get really excited when a 'bad' character reveals more of themselves, fires up my empathy, and wins me over. That happened in The Mars House by Natasha Pulley. A character is clearly set up to be a villain, but slowly shows that she's got hidden depths AND she changes her behavior. YAY, growth! ;-)

My first thought when I read this question, though, was Edward Rochester. Is he unlikable? I usually don't think so. He's presented so sympathetically by Charlotte Brontë. But on one of my readings a few years ago, I was, like, 'What a jerk! He's so self pitying and whiny.' I found him very unlikable that time around. For some reason I have less of a problem with the attic situation and more with the 'dressing up as a fortune teller' thing. But ultimately, all is always forgive because he's EDWARD ROCHESTER.

I love all of Lucy Foley's thrillers — The Hunting Party, The Guest List, The Paris Apartment, The Midnight Feast — and they are filled with very unlikable characters, but the plots are so clever and the secrets revealed are so yummy, I don't care that a) someone is going to die and b) everyone else is awful. They're super fun from beginning to end.

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